SKU: 57603403405
pokemon tcg card binder

pokemon tcg card binder Black

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Description

pokemon tcg card binder BlackEvery collection has a Charizard. Or it wishes it did. The Charizard Card Binder is a 9 pocket Pokemon card binder built for collectors who already know which card they're protecting. 360 side loading pockets. Thick PU leather. Full zip closure. Embossed Charizard art across the cover. Available in matte black or signature orange. Your Charizard wasn't cheap. Booster boxes, trades you fought for, a hit on your paycheckhowever he ended up in your

Every collection has a Charizard. Or it wishes it did.

The Charizard Card Binder is a 9-pocket Pokemon card binder built for collectors who already know which card they're protecting. 360 side-loading pockets. Thick PU leather. Full-zip closure. Embossed Charizard art across the cover. Available in matte black or signature orange.

Your Charizard wasn't cheap. Booster boxes, trades you fought for, a hit on your paycheck—however he ended up in your collection, he didn't end up there free. Don't park him in a flimsy ring binder. Thick leather, smooth zip, zero rings. The home a Charizard belongs in.

Key Features:

  • 360-Card Capacity: 9×40 pockets hold your full original 151 Pokédex in one binder. Plus room for every Charizard variant you've chased: holos, V's, ex's, alt arts, full arts, the lot.
  • Double-Sleeve Friendly: Extra-deep pockets fit double-sleeved holos without bending. Inner sleeve, outer sleeve, both sit flat. Your most valuable Charizards travel safe.
  • ClearLock™ Side-Loading Pockets: Crystal-clear, side-loaded so cards stay locked in when you flip a page. Charizard's flame art reads sharp, glare-free, no haze.
  • Cracking-a-Pack Zipper: Smooth, full-perimeter zip. Closes out dust, drink spills, and the chaos of every trade-night table.
  • Trophy-Grade PU Leather: Water- and scratch-resistant. Available in matte black for low-key prestige, or signature orange for the full Charizard look. Either way, the kind of leather that gets better with use.
  • Acid-Free, PVC-Free Pages: A decade from now, or two, your mint Charizard still looks like the day you pulled him. No yellowing. No sticking. No regret.
  • Bold Embossed Charizard Cover: Charizard mid-flame, pressed deep into the leather. The kind of cover that draws hands across the trade table before you've even unzipped it.

Who It's For:

Pokemon TCG collectors who chase the apex pulls. The kid who picked Charmander and watched him grow into the most expensive card on the trade table. Anyone who's hunted a holo Charizard for more years than they'd like to admit.

Backed By Ravaver:

Free 2-year warranty on every binder. If something goes wrong, we make it right. No fine print, no chasing receipts.

FAQ

Will my double-sleeved cards fit?
Yes. The pockets are sized deep specifically for double-sleeved holographic cards. Slide them in with the inner sleeve and outer sleeve already on. Both stay flat, no bending, no pinching.

How many cards does this Pokemon binder hold?
360 cards. 9 pockets per page × 40 pages, double-sided. That's your full original 151 Pokédex with plenty of room left for every Charizard variant you collect.

What's the difference between matte black and signature orange?
The construction is identical: same thick PU leather, same embossed Charizard cover art, same 360-card capacity, same hardware. The difference is purely visual. Matte black reads low-key. Understated, sleek, lets the embossed Charizard catch the light without competing for it. Signature orange leans into Charizard's classic colorway. Bold, fire-coded, unmistakable from across the trade table. Pick whichever matches your collection's vibe.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 57603403405

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4.7 ★★★★★
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DoubtfulReader
Boise, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
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Matt M.
Louisville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Boise, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Phoenix, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Fort Morgan, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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